Lighting designer to the stars Tom Kenny utilized nearly 400 Robe moving lights on a spectacular lighting rig for the debut of Triller Fight Club, an exciting new PPV entertainment and sporting concept partnership between US video sharing and social network, Triller, and iconic rapper Snoop Dogg.
Embracing the pro boxing league, live music performances plus LOTS of celebrities and social media personalities … the first Triller Fight Club event was staged at the Mercedes Benz Stadium in Atlanta. The 4-hour broadcast was conceived by multiple Oscar-nominated Ryan Kavanaugh and Emmy Award-winning filmmaker, Bert Marcus.
Star power on the entertainment stage included Justin Bieber, The Black Keys, Doja Cat, Saweetie, Diplo and Major Lazer who punctuated the various boxing bouts with short festival-style sets, together with the first appearance of Snoop Dogg’s new supergroup Mt. Westmore, featuring Ice Cube, Too $hort, and E-40. The popular rapper, record producer and entrepreneur was also in fine voice as one of the main fight commentators.
Raw, action-packed, and energized with the music base clearly appealing to a new, young and more diverse audience than a standard boxing tournament … the event was staged behind closed doors due to Covid regulations. One hundred lucky ‘golden ticket’ holders got to experience the atmos live, chosen via promotional contests on the Triller app.
Tom was invited to create an epic high-octane production lighting design by music stage director Alex Kolb. “It was absolutely fantastic being there – like being at a BIG rock concert,” stated Tom enthusiastically, adding, “it was JUST the tonic that all of us involved needed!”
He and Alex have worked together on other major TV productions over the years and for this, Alex specifically wanted Tom to capture the potent cocktail of boxing, music, and VIP elements with an epic cinematic aesthetic that he has injected into other large-scale events.
Tom also worked closely with artistic directors Mike Hess and Juliana Jaramillo and they all together with Alex Kolb devised the massive 500ft wide by 200ft deep scaffolding set structure for the performance segments, complete with passages, stairs, walkways, corners, etc., which surrounded and integrated the boxing ring and stage, setting a stylistic tone for the show.
Lights were rigged all over the structure. With 2000 plus in total, they were literally everywhere it was physically possible to get a fixture, with yet more hung on a series of overhead trusses flown around the venue.
Creating the desired high-impact look with a touch of “old school Studio 54 vibe reimagined in a contemporary setting,” using this many Robe fixtures coupled with his vast expertise in lighting ground-breaking shows, Tom had all the scope he needed.
The show – boxing and entertainment – was livestreamed, so all the camera angles had to be covered for key lighting and Tom ensured a trove of effects were ready to keep the stellar line up of talent looking fresh, relevant, and individual!
The lighting rig was supplied by PRG – together with the video elements – and featured 250 x Robe Pointes, 44 x LEDWash 1200s, 41 x Spiider LED washes and 20 x Robe BMFL Spots, all of which are on his list of “Signature” luminaires to assist in creating the desired environment and look.
They were picked in each case for their outstanding color mixing, speed, and brightness.
A grandMA2 system was used for lighting control, and Tom’s talented FOH team on lighting included regular programmers Mike Appel (who also operated), Jess Baker and Josh Beard and lighting director Mark Klopper. The “wonderful” DOP was Rick Segal, the two best boys were Terry Smith and Rob Russell and PRG lighting techs Luke Lewis and Luke Pritchard were also an integral part of the crew.
Tim Donovan was lighting director for the Boxing Ring Stage, Tony Caporale was the media server operator and the account executive from PRG was Anthony “Looch” Ciampa.
The lighting and video crew were an “amazing” mix of veterans and newbies related Tom, who was as delighted to be sharing these moments with them as he was with the results of the event which generated enormous engagement, excitement, and a cacophony of digital and actual chatter!
Tom, apart from feeling hugely lucky to be working in a live event environment which everyone values so greatly after the pandemic shut down, enjoyed the wit and searing humor of Snoop Dogg and SNL comic and co-host Pete Davidson who “made me laugh all night!”
Photo Credit: Anthony “Looch” Ciampa
SJ Lighting created spectacular lighting production designs for four stages and the Main Stage VIP area at the 2021 Miami Rolling Loud Festival which took place over 3 days / nights at the Hard Rock Stadium, Miami Gardens in Florida, offering 75,000 hip hop fans their first chance to see A$AP Rocky, Post Malone, Travis Scott, and many more great artists perform live since March 2020.
Bold, bright, vivid – with the assistance of Robe moving lights – this was the look central to Lucas Conradi’s lighting design for the Volkswagen booth at the IAA Mobility 2021 expo in Munich, underlining and complementing the energy and excitement generated by the popular German automotive manufacturer’s new brand design, first introduced in 2019.
Denmark’s thriving live music scene re-energised in style after the country’s post pandemic ‘Freedom Day’ with several prominent shows and events including a landmark performance at Parken Stadium in Copenhagen by The Minds of 99 who smashed it as only the second ever Danish act to play there, in front of 50,000 ecstatic fans, complete with a high impact show design from Jannik Kenneth Skov Jensen.
Robe ESPRITES and Spiider moving lights helped lighting designer Myles Mangino and his magical lighting touches create a range of vibrant and dynamic scenes and effects that looked fantastic on camera for a 3-day “Rolling Stone on Twitch” digital celebration streamed over the 2021 New York Pride weekend back in June.
All rights reserved. Created by Appio